On Sunday 24th April at the Priest House Museum, in the center of Wimborne, Dorset I performed a new piece called Panarchy.
The piece can be downloaded for free along with other performances from the day here
Inspired by the theory in which systems of nature, humans as well as
combined human-natural systems are interlinked in continual adaptive
The event was set up by Adrian Newton to Celebrate a century of Dada, in a garden setting. It included
– Performances of improvised and experimental music
– Installations, sound art, horticulture, notallotments
– Experimental video, dada manifestations, things left behind
An installation featuring my piece Venus Rosalia was also featured on the day entitled ‘Sounds emanating from foliage’
Here is a short clip of the piece on the day
The program featured works by Gerauschhersteller, Nemeton, Matthew Shaw, Max Bellancourt, Language Timothy!, Watt Tyler, Order of the Hoof, Jon Lloyd, Rochelle Rochelle, Michael Tanner, David Rogers – and m…
MIDNIGHT The music slides down to a soft thrum, like embers still holding their essence cast-off memories, past ventures. Time to become empty make space, wood-ash a bed for new light, inspiration, more music. Soon enough the pace will increase - new seeds sinking roots, secrets seeking expression, a desire to bring forth a song. Enjoy the sacred silence of winter's deep; ponder patiently in the dark before new light's voice sings out its call.
This past week both at the Summer Solstice at Stonehenge and in the following days back at home in Dorset I recorded two new pieces which I present here for you to listen to.
The first here was recorded on June 24th in Christchurch Dorset, my version of the traditional folk song John Barleycorn.
The second piece was recorded following the dawn ceremony at Stonehenge on June 22nd, an improvised piece with the sound of the summer shower in the background.
Last month I took a trip to the ICA in London for a perfomance art experience titled 'The Rot of the Stars'.
The introduction to the event read "ROTS is a collaboration between Jo Fisher Roberts and Mark O Pilkington.
Jo is an artist with an interest in natural history and the grotesque,
currently working primarily in live art and installation. Trained at the
Slade School of Fine Art, Jo exhibits internationally and teaches
Natural History Illustration. Mark is a writer and experimental
musician; he also founded and runs Strange Attractor Press."
In reality the space in which one entered was quite otherworldly, or more literally under-earthly. The same kind of atmosphere as being below ground, in a cave, or Fogou or Souterrain. The darkness and light pulsating cocoon / womb in the center of the room the main visual focus. Aurally, washes of sounds at low level maintained and added to the visual signals and our olfactory sense was awakened by a mycelium fragranc…